Poplar: The blessings spread across thousands of miles

Poplar: The blessings spread across thousands of miles
“The sludge is not stained, it is slim, and the fragrance is graceful, bringing blessings to the people, and wishing the world to enter Datong early.”This is a compliment written by Guo Moruo for actor Bai Yang.”Lianhua Illustrated” called her “the hottest female star in the Chinese film industry. Her limelight is arguably an unprecedented person, but a latecomer”; while the British “Times” once said that aspen is Chinese.Greta Garbo “.Bai Yang 1920-1996 Birthplace: Beijing Original Name: Yang Chengfang Work Unit: Shanghai Film Studio When the Republic of China was the most popular movie star in the revolution, the feudal consciousness of patriarchal patriarchs was very serious. When the poplar was very young, he was brought to rural life by the nurse.At the age of 11, her mother died of illness, and in order to survive, Poplar came to the actor training center of the fifth branch plant set up by Lianhua Film Company in Peiping, and played a little girl in the silent movie “The New Complaint of the Forbidden City”.”Street of the Cross” At the age of 16, Bai Yang and Zhao Dan collaborated on “Street of the Cross” to play the university graduate Yang Zhiying who came to Shanghai to work hard. The amazing performance became a big star in the hearts of people at that time. The company specially produced nine layers.Lou Gao ‘s film poster stands in the center of Shanghai, and offers Bai Yang an annual salary of 300 yuan, which was already high.And she, like the character Yang Zhiying in the play, chose to stay in Shanghai as a star and join the revolutionary torrent.After the outbreak of the Anti-Japanese War in 1937, Poplar went up the Shanghai Yangtze Drama Club to the Yangtze River and starred in the salvation dramas “Lugou Bridge” and “Thirty Millions of Migrants”. He also shot “Children of China”, “Long Sky” and “Young China””Wait for red movies.Since the 1940s, she has joined Zhang Ruifang, Shu Xiuwen and Qin Yi as the four great names in Chinese film.”One River Flows to the East” October 1947 to January 1948, “The River Flows to the East” starring Poplar played in Shanghai for more than three months, the audience reached 710,000 people, the total number of viewers in the country exceeded1 million, setting the highest record of domestic movie attendance during the Republic of China.”Blessings” In 1956, Bai Yang starred in the feature film “Blessings” adapted from Lu Xun’s novel of the same name, and played the protagonist Xiang Linsao in the film, which is considered to be the pinnacle of her movie creation artistic achievements.For a long time after the film was released, as long as Poplar appeared in public, someone would call her Xianglinsao loudly.In the same year, “Blessings” won a special prize at the 10th Czech Karlovy Vary International Film Festival.In 1989, Poplar starred in the TV series “Everyone Loves the World-Song Qingling’s Story”.This is the only TV series she has filmed in her life, and it is the last character she created for the audience.On the 60th anniversary of Bai Yang’s art, playwright Cao Yu once brushed ink: “Jiao Ruo Ming Yue, Zhi Ruo Bai Yang, devoted to the shadow play, with endless achievements.”Playing as a woman of all walks of life, Bai Yang ‘s sister, a rare writer in the film history, is Yang Mo, a famous writer who wrote the “Song of Youth”. She once recalled Bai Yang ‘s article: “In addition to going to the studio, she kept herself in the room all day.Not talking, listening to my sister-in-law said that she was in Chongqing at the same time, and always kept herself in the room.She is such a stupid person.When a new character arrives, he thinks hard and creates hard.Often with new hope, embark on a new journey.”After the founding of New China, Poplar’s social activities increased, she would rather compress her sleep time, but also to ensure exercise and creation.In the 65-year art career of Poplar, he has produced 26 films and performed more than 40 dramas, from the little girl in the palace to the national mother Song Qingling, from the gentle and honest female worker Li Sufen to the rustic Xianglinsao, from the university young girl Yang ZhiyingTo Dongmei, a revolutionary female warrior, she is a rare focal point in the history of Chinese film who has played the image of women of all walks of life in China. She displays the subtle, beautiful, and unique nature of Oriental women on the screen and stage, creating a vivid and vividRoles.Poplar’s life fell down in Shanghai, Chongqing, Hong Kong, Beijing, Beijing, and his own performance career. At the same time, he was exposed to the Stanley performance system very early and continued to expand his artistic horizons.Starring in famous dramas such as “Qu Yuan”, “Thunderstorm”, “Sunrise” and “Resurrection”, her performance has been developed in many ways.Because of the shooting of “Dongmei”, Poplar once had a long talk with Premier Zhou Enlai and Comrade Chen Yi.At the same time, she also authored “Manipulation of Film Performance Skills”, “Exploration of Film Performance”, and a collection of poems “Fall into the Sky”, which is not only one of the most prestigious actors in the film industry, but also an art theorist.”True, pure, love” is a lifelong pursuit.”The three words chosen by one of the founders of the new Chinese film art when summing up his artistic achievements.”True, is the principle that every artist must follow.Art breaks through life and is higher than life.Actors should be comfortable in their performances, and there should be no signs of acting.Reaching this point is by no means a simple simulation of life, or an in-depth and detailed observation of life, a deep understanding of the characters, and then artistic re-creation.Pureness is the style and temperament of the actor. It is necessary to integrate his own heart with the heart of the character, and pursue the godlike rather than the similar.Love means loving the party, motherland and people.This is a true and pure preset.”The role of the movie also influenced the character of Poplar.When he first arrived in Chongqing, the film theatre troupe composed of Bai Yang, Chen Baichen, Shen Fu and others was often disturbed by warlords, and local warlords sent invitations to invite Bai Yang to dinner alone.In the end, dozens of people from the whole regiment entered the mansion. During the banquet, Poplar and other people talked about the principle of the war of resistance. They also rejected the warlord’s request for dancing.”同为演员和导演的丈夫蒋君超曾说道:“在电影圈,她是出了名的‘青衣’,以一身正气,受大家尊重……如果不是这样,她就不是今天的艺术家白杨,而是A flashy star.”Poplar is well-known, but has lived a thrifty life all his life.When he entered Shanghai Kunlun Film Company in 1946, other factories could get gold bars for filming, and in Kunlun, he often couldn’t even get his salary. Bai Yang didn’t mind. In Kunlun, he shot films other than “A River Flowing Eastward”.In Chongqing, Bai Yang once recalled that he and other actors ate stone, sand, tares, and mouse feces. The cheongsam was scattered and worn together. A cheongsam was worn all seasons.During the premiere of “Lugou Bridge” at the Grand Theater, a large number of Mrs. Kuo of Chongqing brought their own tailor barber to try to imitate the makeup and dress of Bai Yang. She didn’t expect her clothes on the stage to be shabby and outdated.Even so, she still refused to perform commercials and only chose her favorite script.She often said: “An actor can’t just have money and act in the name of everything.”In her later years, she kept her house of books, ate coarse tea and rice, and donated money to the country.She said: “I don’t think my wealth can be calculated with money.”Artists cannot be separated from their own people, and they must never forget their responsibilities.”